Summit CO Breckenridge Music “Festival Family Concert” August 12

Family Festival Concert August 12, 2011

The Breckenridge Music Festival (BMF) is pleased to present the Breckenridge Music Festival Orchestra under Maestro Gerhardt Zimmermann in a very special “Festival Family Concert,” with a program designed for families. Mussorgsky’s Night on Bald Mountain and 16-year-old Schmitt Music Yamaha Piano Competition winner Joseph Eisele round out a program featuring a narrated musical mystery, The Composer Is Dead.

On Friday, August 12th, The Breckenridge Music Festival and special guest, narrator Christopher Willard of Backstage Theatre, present a morbidly funny musical whodunnit that investigates every section of the orchestra. The Composer is Dead features text by bestselling author Lemony Snicket and a score by Nathaniel Stookey.

The show must go on? But the actor is mute, the director is crying, the dancer is lazy—and the composer is dead! In this perplexing murder mystery, everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. But the composer is still dead. Can you solve the mystery?

The Washington Post raves “A grimly humorous detective story…Author Lemony Snicket is an unapologetic champion of classical music, and with Stookey…he has created perhaps the best response to the tiresome trope of the death of classical music.”

“I like to think of the Composer is Dead as a gateway drug that will lead to a life-long addiction to classical music. For me it was Beethoven’s Third Symphony, the Eroica, that kind of broke it wide open,” Snicket states. “You know, I couldn’t stop listening to it and it’s like any other addiction, before I knew it, I was listening to it alone, I was listening to it in the morning, and then slowly I went from Beethoven to Bach. I went from Bach to Mahler, from Mahler to Shostakovich. That’s something wrong there and I hope that that wrong will spread – like a virus.”

To the delight of children and adults alike, Christopher Willard’s rendition will bring The Composer is Dead alive on stage. Willard is a Midwestern native, holding degrees from Columbia College in Chicago and Syracuse University where he was a graduate fellow.  Prior to taking the mantle at the Backstage Theatre,
he was on staff at the Arvada Center for nine years. There he directed several of their mainstage and children’s theatre productions. Willard is the recipient of several Denver Post Ovation awards, most recently for his role as Bilbo Baggins in the Backstage Children’s Theatre production of The Hobbit.  In 2007, he received a Marlowe Award as Best Director for his production of My Fair Lady at Town Hall Arts Center.  He also received Best Director honors from CCTC for his direction of Crazy Bag which received its world premiere at the Backstage Theatre.  He is a past recipient of a National Endowment grant and many other awards and nominations for his work.

Also a writer, his work has been produced in Colorado, Texas, Iowa, and Illinois.  His musical, Cell Block Sirens of 1953, was a recent finalist in the New York Music Theatre Festival where it was hailed by Tony award-winning director Susan Stroman as “one of the best of the festival.” His play, Hidden, is now published by Playscripts, Inc.

Printed copies of the book The Composer is Dead will be available at the performance for purchase. The book includes not only the printed story, but a CD with a recording of the story and music by the San Francisco Symphony, for families to take home and enjoy.

The Festival Family Concert also includes the classic, Night on Bald Mountain. Written in 1866 by Modest Mussorgsky, Night on Bald Mountain was initially titled The Witches, with themes derived from Russian literary works and legends. The work was written in only 12 days. It now has become a standard among children’s music, and has been used in movies such as Disney’s 1940 original classic, Fantasia.

At 16 years old, Joseph Eisele is a sophomore honors student at Cherry Creek High School in Centennial and winner of the Schmitt-Yamaha Piano Competition. Joseph will perform Allegro scherzando from Rachmaninoff’s Piano Concerto No. 2. Joseph began his piano studies in pre-school and is now a prize-winner at numerous competitions including a member of the prestigious Young Musicians Foundation of Colorado and was the first prize recipient at the Colorado Piano Festival Pre-collegiate Piano Competitions in Greeley. Joseph also has an enthusiasm for Tae Kwon Do and loves to ski, read and play the drums with his school friends in their band. Please join members of Breckenridge Music Festival Orchestra and special guest Christopher Willard from Backstage Theatre as they present a fun and adventurous Festival Family Concert at the Riverwalk Center on Friday, August 12th at 6pm. For tickets ($20 Adults, $5 Children/Youth) call 970.547.3100 or log onto www.breckenridgemusicfestival.com.

“Wine, Women and Song” at Breckenridge Music Festival Orchestra Concert Saturday, August 6

“Wine, Women and Song”
SATURDAY, AUGUST 6th at 7:30 PM
Riverwalk Center, Breckenridge, Colorado

The Breckenridge Music Festival (BMF) presents the Breckenridge Music Festival Orchestra and Vocalists in this Saturday’s “Wine, Women and Song – music of Vienna” concert featuring Soprano Jacqueline Culpepper, Mezzo Soprano Soon Cho, Tenor Bradley Howard and Bass-Baritone Daniel Boye. The concert will feature music from Lehar’s The Merry Widow operetta, and songs, waltzes and polkas from the famous Viennese masters, Johann Strauss and Johann Strauss Jr.

For more than half a century, Johann Strauss served as a purveyor par excellence of dance music for the Austro-Hungarian Empire.  He as well as his brothers Josef and Eduard turned out a seemingly endless supply of waltzes, polkas, quadrilles, mazurkas, marches, and the like that kept the Viennese dancing. In view of his tremendous success as a composer of dance music, it is somewhat surprising that Strauss would take a chance on the vicissitudes of the theater and try his hand at operetta. The Opera, Die Fledermaus was first performed in Vienna in 1874. Filled with intrigues, mistaken identities, inconvenient liaisons, and slightly risqué situations, Die Fledermaus is a riot of frothy tunes.  The overture to Die Fledermaus is a continuous string of tunes taken from the opera and has been noted as “the pièce de résistance of the third Strauss operetta.”

At a young age, Johann Strauss Jr. (Strauss senior’s son) ignored his father’s wishes and formed his own orchestra, and is now considered the most famous of the Strausses. In the 55 years of his musical career, his output was prolific – he wrote over 550 works. As well as waltzes, polkas, quadrilles and other dance music, he wrote marches, and, for the stage, he composed fifteen operettas, one opera and an unfinished ballet. Unfortunately, despite composing all this dance music, he always maintained that he himself was unable to dance. Tonight’s concert will feature Strauss Jr.’s Thunder and Lightening Polka, a piece composed to imitate the thunderous crashes and images of lightening.

Guest vocalists include returning Festival favorites soprano Jacqueline Culpepper and bass-baritone Daniel Boye. Joining them will be lyric mezzo-soprano Soon Cho, hailed by the Cincinnati Post as “…regal in bearing, with vocal endowments to match…,” and tenor Bradley Howard, whose career spans the classical and contemporary in choral works, solo recitals and operatic roles.
Please join the members of Breckenridge Music Festival Orchestra and Vocalists as they present a night of music from Vienna at the Riverwalk Center on Tuesday, August 6th at 7:30 pm. For tickets ($25, $30, $35 Adults, $10 students, $7 juniors) call 970.547.3100 or log onto www.breckenridgemusicfestival.com.

Breckenridge Music Festival’s Blue River Series presents Guitar Legend Leo Kottke

The Breckenridge Music Festival is pleased to present Leo Kottke – first time back in Breckenridge since his 2009 BRS sellout, in the 2011 BLUE RIVER SERIES sponsored by Millennium Bank. The show takes place at the Riverwalk Center in Breckenridge on Thursday, August 11th at 7:30PM.  Tickets are $25 in advance and $30 day of show and can be purchased by calling 970-547-3100 or ordered online by visiting BreckenridgeMusicFestival.com
For nearly four decades, Leo Kottke has relentlessly pursued a unique musical vision that has placed him among the foremost acoustic guitar stylists. A six and 12-string guitar virtuoso, Kottke has dazzled audiences with his fingerstyle approach — amassing a worldwide following and winning 7 Grammy Awards in the process. The Los Angeles Times notes, “Kottke has an uncanny ability to make folk music sound like capital-A art.” The self-taught guitarist first surfaced with his now-legendary 1969 recording, Six and Twelve-String Guitar. He has blazed a singular stylistic path — creating music which draws on blues, jazz, and folk influences. Classical precision, popular appeal, jazz fluency, 20th-century harmony, syncopated rhythms, and lyrics that feature quasi-literary characterizations all vie for supremacy in his music and challenge our preconceived notions of how acoustic guitar music should sound.

“My music is maybe hard to categorize,” Kottke allows. “It doesn’t fit conveniently into the bins at record stores. That works for me, though … I don’t rise and fall with trends. Most listeners seem to have room for this stuff.  It’s been great that way.”  Classic Kottke albums like Chewing Pine (1975), Balance (1979), Time Step (1983), My Father’s Face (1989), Great Big Boy (1991), Peculiaroso (1993) and One Guitar, No Vocals (1999) have consistently won over new fans while continuing to surprise and delight longtime aficionados.  Over the years, Kottke has worked in the studio and shared concert stages with everyone from Lyle Lovett, John Fahey, T-Bone Burnett and Rickie Lee Jones, to Paco de Lucia, Pepe Romero, John Williams, John McLaughlin and Joe Pass.
Longtime Kottke devotees have learned to expect the unexpected. Kottke’s ability to embrace folk idioms and pop melodies as readily as he assimilates jazz and classical influences makes him unique among guitar virtuosi. As the Melbourne Review attests, “At any given moment you could close your eyes and imagine three guitarists in the place of Kottke …”  But for all its technical brilliance, wicked syncopation and harmonic sophistication, Kottke’s music is eminently accessible.  At heart he’s a populist. Audacious, intelligent and funny, Kottke’s musical performance defies traditional categories and is, simply put, a delight to hear.
Get your tickets now to see Leo Kottke at the Riverwalk Center on Thursday, August 11th at 7:30 pm. For a complete Breckenridge Music Festival schedule or to order tickets online visit www.breckenridgemusicfestival.com

Breckenridge CO Cool off in summer’s heat wave

Breckenridge Fun Park 2011

Summer Operation Hours:
June 17 – September 4
September 9 – 18: Weekends ONLY
Sunday – Thursday: 10:00 AM – 6:00 PM
Friday & Saturday: 10:00 AM – 7:30 PM

This summer, enjoy the Breckenridge Fun Park like never before! Come enjoy a day of family fun in the beautiful Rocky Mountains and see what Breckenridge has to offer in the summertime.  Peak 8 at Breckenridge Ski Resort will be the center of all the action in town this summer, as the Breckenridge Fun Park returns with even bigger and better attractions this season.  Park for free in the Gondola lots in town. The BreckConnect Gondola is now running to take you to the park for free. Free shuttle buses will leave from the lots up to the Park.  Experience the thrilling dips and turns of the Gold Runner Coaster, along with other activities for all ages, including the famous Alpine Slide, mountain biking, scenic chairlift rides, gem panning, bungee jumping, pony rides, kids bounce house, miniature golf, hiking, 4×4 tours, and more.  Also don’t miss great dining options at the Ski Hill Grill, located at the base of Peak 8.  With all the attractions, rides and outdoor opportunities on the mountain, the Breckenridge Fun Park is the cool place to be this summer.

Breckenridge CO Music Festival “Close Encounters of the Musical Kind”

Breckenridge Music Festival Tuesday Chamber Series

BMF Music Festival

Music Director Gerhardt Zimmermann and The Breckenridge Music Festival are pleased to present “Close Encounters of the Musical Kind,” a Festival Orchestra Series event on Saturday, July 23rd at 7:30pm at the Riverwalk Center in Breckenridge. The evening’s concert will feature guest pianist Chu-Fang Huang, winner of the 2005 Cleveland International Piano Competition and finalist in the esteemed Van Cliburn International Piano Competition, performing Liszt’s Piano Concerto No. 1 and Ravel’s Piano Concerto in G. “At 23, Chu-Fang Huang has everything in place for a high-flying career,” says The Birmingham News of a recent recital performance. “Clarity, poise, lucid phrasing, dead-on technique and stunning good looks were in abundance at the pianist’s electrically charged recital.”

Chinese pianist Chu-Fang Huang burst onto the concert scene in 2005 as a finalist in the Van Cliburn International Piano Competition and First Prize winner of the Cleveland International Piano Competition, which brought her rave reviews for performances as soloist with the Cleveland Orchestra and her recital at Lincoln Center’s Alice Tully Hall.  Shortly thereafter, Ms. Huang won the 2006 Young Concert Artists International Auditions, where she holds the Mortimer Levitt Piano Chair.  Ms. Huang made her concerto debut with the Orchestra of St. Luke’s at Lincoln Center’s Rose Theater and was presented in her Kennedy Center debut in the Young Concert Artists Series, to rave reviews.  Her recording of Scarlatti sonatas was recently released on the Naxos label.

Of her recent performance of Grieg’s Piano Concerto in A minor, the New York Times stated, “Playing a repertory staple like the Grieg Concerto takes some daring, since it is hard to distinguish yourself in the piece. But throughout the performance by the Chinese-born Ms. Huang, you sensed the excitement of a young pianist who could hardly wait to get her turn at it. She played with richly mellow tone, vivid colorings and Romantic flair. In a piece that is often the occasion for expressive liberties, Ms. Huang gave a refreshingly direct, honest and sensitive account.” The Washington Post said of the same performance, “Her fingers flew over the keyboard, managing onrushing octaves and other technical hurdles with seeming ease. She unfolded lyrical passages with a fluid legato and tonal warmth, which she blazed through Grieg’s more passionate forays with demonic, impetuous intensity.”

In addition to her performance this evening at the Breckenridge Music Festival, this season Ms. Huang performs with the Detroit Symphony and conductor Andrew Grams at the Meadow Brook Music Festival, playing both Rachmaninoff’s Piano Concerto No. 2 and Gershwin’s Rhapsody in Blue, and appears with the orchestras of Owensboro, Syracuse, South Bend, Stockton, and Pasadena.  Other concert appearances include recitals and educational residencies at Iowa State University, the Macomb Center for the Performing Arts and for the Pro Arte Musical series in San Juan, Puerto Rico.  Ms. Huang has given New York recitals in the Young Concert Artists Series at Carnegie’s Zankel Hall, the Morgan Library and Museum, at the Isabella Stewart Gardner Museum in Boston, and in Chicago, Philadelphia, Fort Worth, and Palm Beach.  As a chamber musician, she has toured with Charles Wadsworth and Friends and played at the Young Concert Artists Festivals in Tokyo and Beijing.

Ms. Huang’s artistry has already circled the globe: in Canada with the Victoria Symphony, in Australia with the Sydney Symphony Orchestra and the Australian Chamber Orchestra, in China with the Shenzhen and Liaoning Philharmonic Orchestras, at the famed Concertgebouw in Amsterdam, the Ruhr Piano Festival in Germany, the Mustafa Kemal Center in Istanbul, and the Louvre Museum in Paris.  She has appeared at the Bard and Honest Brook Music Festivals in New York and performed with the Des Moines, Waterbury, Lafayette, Fairfax, Rockford, and Anchorage symphonies, as well as the Chamber Orchestra of the Triangle.

Ms. Huang began piano lessons at the age of seven and entered the Shenyang Music Conservatory at the age of 12.  She made her U.S. debut at the age of 15 in the La Jolla Music Society’s Prodigy Series.  Ms. Huang earned her Bachelor of Music degree from the Curtis Institute of Music, where she studied with Claude Frank, and her Master of Music degree and Artist Diploma from The Juilliard School, where she worked with Robert McDonald.  Ms. Huang serves as the Artistic Director of the Ameri-China International Music Association and is a Steinway Artist currently residing in New York City.

The concert will also showcase the Festival Orchestra in Wagner’s Siegfried Idyll, Bizet’s Prelude to Carmen Suite No. 1, and Gershwin’s An American in Paris. Guest conductor Debbie Kullby will lead the Bizet, an opportunity that she won at last year’s BMF live auction at the Gala. The prize is still up for grabs this year at the Gala on July 29th at Beaver Run Resort, Breckenridge.

A full concert listing for the Breckenridge Music Festival’s 2011 Concert Series can be found online at www.BreckenridgeMusicFestival.com or by calling the main office at 970-453-9142.
Concert Sponsor:  The Town of Breckenridge
Millennium Bank – Blue River Series Presenting Sponsor
Alpine Bank – Festival Contributing Sponsor
Eide Bailly – Champagne Series Presenting Sponsor
NRC Broadcasting – Summit Daily News
The Breckenridge Music Festival is supported by funding from the Colorado Creative Industries Division, a state agency, and the National Endowment for the Arts, a federal agency.

Breckenridge CO 31st Music Season begins July 19

Riverwalk Center present the Breckenridge Music Festival

Breckenridge Music Season

The Breckenridge Music Festival Orchestra launches its 31st season on Tuesday, July 19th at the Riverwalk Center in Breckenridge. Between July 19 and August 20, the Festival’s 45 professional musicians will present 17 Main-stage concerts at the Riverwalk Center, as well as 10 intimate Sunday Champagne Series chamber concerts in homes around Summit County.  Maestro Gerhardt Zimmermann returns to Breckenridge for his eighteenth season.  The members of the BMF Orchestra, led by Maestro Zimmermann, will once again flex their musical talents to produce an exceptional season of music providing something for everyone, from classical symphonies and intimate chamber to jazz and opera. Below are just a few of the exciting highlights. Visit www.breckenridgemusicfestival.com for a full calendar of events.

The 2011 Breckenridge Music Festival opens its Festival Orchestra Series with a special concert, Festival Grand Opening Concert: Musical Postcards from Italy on Thursday, July 21st. The Grand Opening concert will feature Breckenridge Music Festival’s Concert Master and newly appointed Co-Concert Master of the Dallas Symphony, Nathan Olson performing the Mozart “Violin Concert No. 3 in G Major”.

Full orchestral concerts feature a broad range of programming.  Symphonic favorites like Beethoven’s “Symphony No. 7” and Prokofiev’s “Piano Concerto No.3” are the focus of the July 28th concert. Another evening of classics, Wine, Women and Song on August 6th features favorites from Johann Strauss and Strauss Jr. Sutherland, Mozart and a Spanish Caprice on August 13th features pianist, Robin Sutherland performing the Mozart “Piano Concert No. 25” and finishes the evening off with Rimsky-Korsakov’s famous “Capriccio Espagnol.” Audiences can enjoy the Festival Vocalists in songs from quintessential American composer, Irving Berlin, backed by the full Festival Orchestra, in Irving Berlin : From Rags to Ritzes on August 4th.

Baroque, Brass and other special concerts are featured on Mondays and Tuesdays throughout the five-week Festival. On Thursday, August 4th look for a Cabaret Concert featuring songs from American favorite, George Gershwin. Another popular tradition, the Swinging at the Summit evening, features the orchestra magically transformed as the “Festival Big Band Orchestra” performing favorites such as “Sing, Sing, Sing”, “In the Mood”, and “String of Pearls” this year on the evening of August 19.

The BMF is presenting two new concerts for the 2011 Summer Festival. Families are invited to the Festival Family  Concert on August 12th, which will feature music from “The Composer is Dead” with text from the very funny, yet very odd Lemony Snicket. This performance will feature Chris Willard from the Breckenridge Backstage Theatre as narrator. On August 15th, make your way to the Warren Station in Keystone where the Brass players of the Breckenridge Music Festival will blow their own horns!

Breckenridge Music Festival presents “Ragtime and Timeless Treasures” July 19 at the Tuesday Chamber Series

Breckenridge Music Festival Tuesday Chamber Series

BMF Music Festival Tuesday, July 19

The Breckenridge Music Festival (BMF) is pleased to present a BMF Tuesday Series chamber concert entitled “Ragtime and Timeless Treasures.” The evening’s performance will feature the music of composers who incorporated the aesthetics and styles of an earlier period into their music, while still maintaining their own unique musical voice.

Works will include: Bolcom’s Three Rags for String Quartet, Mozart’s Clarinet Quintet in A Major, K. 581, and Hummel’s Piano Septet No. 1 in D Minor. William Bolcom is most well known for his work during the 1960’s and 70’s reviving Ragtime, first popular at the end of the 19th century. Many of his works are a tribute to the style of Scott Joplin. Three Rags for String Quartet is Bolcom’s arrangement of his own Three Ghost Rags, originally composed for piano in an interesting mix of ragtime style, modern dissonances, and unexpected chord progressions. The Quintet in A Major is one of Mozart’s last works, and showcases the clarity, balance and serenity we associate with Mozart’s writing and the artistic movement called neo-classicism, a return to composition strongly embracing those classical elements. Hummel’s Piano Septet provides a wonderful glimpse into the waning years of classicism, retaining elegance and balance while moving toward the spirit of the Romantic era in its length and variety of musical styles.

This concert will feature festival instrumentalists including: violinists Hannah Yim, Colleen McCollough and Nathan Olson, violists Matthew Carrington and Susan Pardue, cellists James Holland and Rebecca Gilmore, bassist Alison Gaines, clarinetist Kenneth Krause, oboist Sandra Stimson, flautist Helen Blackburn, pianist Michael Linville, and Jaime Lynne Thorne on French Horn.

Please join the members of Breckenridge Music Festival Orchestra as they highlight works from some of the greatest classicist composers at the Riverwalk Center on Tuesday, July 19th at 7:30 pm. For tickets ($25, $30, $35 Adults, $10 students, $7 juniors) call 970.547.3100 or log onto www.breckenridgemusicfestival.com.

Summit County CO Breckenridge Music Festival’s Blue River Series presents Celtic Music with Great Big Sea

Riverwalk Center present sCeltic Music

Blue River Concerts at Breckenridge

The Breckenridge Music Festival is pleased to present Great Big Sea, the second show of its 2011 BLUE RIVER SERIES, sponsored by Millennium Bank. The show takes place at the Riverwalk Center in  Breckenridge on Friday July 15th at 7:30PM.  Tickets are $30 in advance and $35 day of show and can be purchased by calling 970-547-3100 or ordered online by visiting BreckenridgeMusicFestival.com

Great Big Sea, a band that has come to define the energetic spirit of Newfoundland, will be performing a live show as the second of five Blue River Series concerts this summer in Breckenridge Music Festival’s Blue River Series. Audiences can look forward to an eclectic mix of their oldest classics, driving interpretations of Newfoundland’s folk song heritage, and songs from their 11th and most recent album, Safe Upon the Shore.

Great Big Sea has roots in St. John’s rowdy pubs, where co-founders Sean McCann and Bob Hallett met while playing Newfoundland folk songs for boisterous crowds of hard-partying university students and off-duty fishermen. In 1993, after meeting fellow “socio-holic” and pub stalwart Alan Doyle, they started Great Big Sea in an attempt to create a new approach to Newfoundland folk music, one that combined their original music with the traditional sounds and instruments they had grown to love in their youth as Newfoundland natives. Drummer Kris MacFarlane joined the band in 2002, and bass player Murray Foster came aboard a year later.

Their latest album, Safe Upon the Shore, reflects a new twist to the band’s original sound. The album is a feast of creative impulses, recorded over a six month period in various locations, including the band’s studio at St. John’s as well as a studio in New Orleans with producer Steve Berlin. “For a long time we wanted to record somewhere with a vibe,” said Sean McCann, singer and bodhran player, “somewhere with an atmosphere that might seep into the songs themselves. There is nowhere on the continent, really, that has more of a vibe than New Orleans.” In addition to studio recording, the band often used guerilla setups to record some of the songs on tour buses and in dressing rooms. “A lot of this was recorded straight onto Alan’s laptop, as soon as we had the ideas,” notes McCann.

The songs on Safe Upon the Shore discuss the many strains of the band’s inspirations, but also reflect the concerns of men trying to balance a family life while spending so many months in the adolescent world of a touring band. “Long Life”, the album’s driving opener, is all about the passage of time and the constant push and pull between band and home, and “Dear Home Town” describes the things that often get left behind.

March 11, 2011 marked Great Big Sea’s 18th year as a band, and like almost every one of their many anniversaries, they celebrated it by playing a concert. “No one is more surprised than us that we have lasted … 18 years,” points out lead singer Alan Doyle. “There’s a lot of creativity in this band, too much for an album every two years. We all have lots of other ideas, ambitions and paths we want to travel – that said, we wouldn’t have stuck together this long if we didn’t know how special this band was. We are not finished yet by a long shot.”

Get your tickets now to see Great Big Sea at the Riverwalk Center on Friday July 15th at 7:30 pm. Tickets are $30 in advance, $35 day of show and can be purchased by calling the Riverwalk Center Box Office at 970.547.3100.  For a complete Breckenridge Music Festival schedule or to order tickets online visit www.breckenridgemusicfestival.com

Breckenridge Music Festival’s Blue River Series presents Dirty Dozen Brass Band

Breckenridge Music Festival

Summit County Music

Bringing Old School New Orleans to Breckenridge  Sunday, July 17, 2011 – 7:30pm
The Breckenridge Music Festival is pleased to present the Dirty Dozen Brass Band, one of the most highly anticipated shows of its 2011 BLUE RIVER SERIES, sponsored by Millennium Bank. The show takes place at the Riverwalk Center in Breckenridge and Tickets are $18 in advance and $23 day of show and can be purchased by calling 970-547-3100 or ordered online by visiting BreckenridgeMusicFestival.com

The Dirty Dozen Brass Band is renowned for its energetic performances and a blend of old school New Orleans brass band heritage and modern-day funk that can hardly be classified by any musical genre. “For more than two decades, their ability to be funky – to play complex syncopated rhythms with a carefree flair that automatically makes listeners want to get up and dance – has never been in doubt,” says Mac Randall of the New York Times. “Although the Dirty Dozen uses traditional instrumentation, it doesn’t sound traditional. By incorporating elements of modern jazz, pop, R&B and other genres into its style, the band has kept fresh….”

Since its earliest gigs, the Dirty Dozen Brass Band performs with the purpose of revitalizing a New Orleans tradition that has influenced jazz, rock, and almost any genre of music ever considered “popular” in the last century. “In 1977, the Dirty Dozen Social and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late ’70s, few of either existed. The Dirty Dozen Social and Pleasure Club decided to assemble this group as a house band, and over the course of these early gigs, the seven-member ensemble adopted the venue’s name: the Dirty Dozen Brass Band.

Thirty years later, the Dirty Dozen Brass Band is a world-famous music machine, synonymous with genre-bending romps and high-octane performances. They have revitalized the brass band in New Orleans and around the world, progressing from local parties, clubs, baseball games and festivals in their early years to touring nearly constantly in the US and in over 30 other countries on five continents. The Dirty Dozen have been featured guests on albums by artists including David Bowie, Elvis Costello, Dr. John and the Black Crowes.

The Dirty Dozen may be as unpredictable as the weather in Breckenridge, but expect to get up out of your chair, dance and let loose. “Whether you experience the Dozen on stage or on the street, they are guys anyone would feel lucky to meet in this lifetime,” says John Bell of Widespread Panic. “The music that comes through as they perform resonates with feelings of familiarity, uniqueness, humor and daring –all at once, all the time.”

Tickets can be purchased by calling the Riverwalk Center Box Office at 970.547.3100.  For a complete Breckenridge Music Festival schedule or to order tickets online visit www.breckenridgemusicfestival.com

Summit County CO / The Breckenridge Music Festival presents Todd Park Mohr as the opening show of its 2011 BLUE RIVER SERIES

Todd Park Mohr, the lead singer-songwriter of “Big Head Todd and the Monsters,” will be performing a live, solo acoustic show in the first of five Breckenridge Music Festival’s Blue River Series concerts this summer.

Sponsored by Millennium Bank, the show takes place at the Riverwalk Center in Breckenridge on Friday July 8th at 7:30PM.  Tickets are $25 in advance and $30 day of show and can be purchased by calling 970-547-3100 or ordered online by visiting BreckenridgeRiverWalkCenter.com

Expect to hear old hits, covers, new songs and especially blues songs from his latest tour which pays respect to the late, great bluesman Robert Johnson.

How do you throw a 100th birthday bash for the most influential bluesman that ever lived? If you’re Big Head Todd and The Monsters, you gather some of the greatest living blues musicians and record 100 Years of Robert Johnson (Ryko/Big Records), a stirring new tribute album featuring 10 potent interpretations of some of the most vital and durable music of the past century..

100 Years of Robert Johnson was released March 1, 2011. For Todd Park Mohr, the project served to re-introduce him to the music of Johnson, whose songs provided many of the pioneering blues-rock bands—Led Zeppelin, the Rolling Stones, The Grateful Dead, Cream, Canned Heat, etc.—with some of their most popular material.  “I’d always heard the more aggressive versions of Robert’s more popular songs,” says Mohr. “But in studying his singing, guitar playing, and the songs themselves, I experienced a blues enlightenment. There is a rich complexity, a vulnerability and humanness throughout the Delta blues traditions that is often overlooked. In a way the Delta blues that Johnson represented is really the blood and guts of everything else that followed. So for me it’s kind of getting back to that marrow, and luckily we had a producer who really understood blues music.”

Mohr says that Johnson’s lyrics are especially inspirational to him. “There’s something about the honesty of it that’s really powerful,” he says. “You don’t get that feeling from commercial culture—what it’s like to be a human being both good and bad. Its candor is very appealing and refreshing because it speaks to the human condition. The language that Robert used to express it was really poetic and well crafted.” Mohr also rediscovered the complexity of Johnson’s guitar work while making the recording. “It is astounding; his playing really is incredible,” he says. When you try to play his stuff you realize how involved t really is. The compositions feature many skipped beats and bars along with other extra twists that make it really special.”